Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Johann Heinrich Schonfeldt
Halt vor dem Gasthaus

ID: 92607

Johann Heinrich Schonfeldt Halt vor dem Gasthaus
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Johann Heinrich Schonfeldt Halt vor dem Gasthaus


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Johann Heinrich Schonfeldt

German , Biberach 1609-Augsburg 1682/83   Related Paintings of Johann Heinrich Schonfeldt :. | The Oath of Hannibal | Atalanta and Hippomenes | The Rape of the Sahine Women | Il Tempo | Sintflut |
Related Artists:
Thomas Hosmer Shepherd
(1793-1864), British printmaker and painter
Cornelis Norbertus Gysbrechts
(ca 1630 - after 1683) was a Flemish painter of still life and trompe-l'œil active in the second half of the seventeenth century. Gysbrechts was born in Antwerp, where, according to the RKD, he became a member of the Guild of St. Luke in 1660. He signed his name with "CND". His first known paintings date from 1659 in Antwerp. He painted in 1664 in Regensburg, from 1665-1668 in Hamburg and from 1668 to 1672 at the court in Copenhagen.
John Macallan Swan
British Academic Painter, 1847-1910 was an English painter and sculptor. John Macallan Swan was born in Brentford, Middlesex in 1847. He received his art training first in England at the Worcester and Lambeth schools of art and the Royal Academy schools, and subsequently in Paris, in the studios of Jean-L??on G??rôme and Emmanuel Fr??miet. He began to exhibit at the Academy in 1878, and was elected associate in 1894 and academician in 1905. He was appointed a member of the Dutch Water-Colour Society in 1885; and associate of the Royal Society of Painters in Water Colours in 1896 and full member in 1899. A master of the oil, water-colour and pastel mediums, an accomplished painter and a skilful draughtsman, he ranks also as a sculptor of distinguished ability. He has treated the human figure with notable power, but it is by his representations of the larger wild animals, mainly the felidae, that he chiefly established his reputation; in this branch of practice he has scarcely a rival. His picture "The Prodigal Son," bought for the Chantrey collection in 1889, is in the National Gallery of British Art.






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